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2.1.2 , .......................................................3
2.1.3 , , ,
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2.1.4 ......................................5
2.1.5 ........................6
2.2 .............................................................8
2.2.1......................................................................8
2.2.2 .........................................................................9
2.2.3 ....................................................................10
2.2.4 ..............................................................................10
2.2.5 ................................................................11
2.2.6 ........................................................11
2.2.7 .............................................................12
2.3 ...................................................14
2.4 .................................18

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3.2 .....................................................................30
3.3.1 600.........................................30
3.3.2 500..................................................32
3.3.3 400..................................................34
3.3.4 300..................................................36
3.3.5 200-100............................................39
3.4 -
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3.5 ......................................................42
3.6 ..............................................................45

4
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4.4 ............................................................51
4.4.1 , Kang51
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4.4.3 ...................................................59
4.4.4 ..............................................................................61
4.4.5 ...............................................62
4.4.6 ......................63

4.4.6.1 ..........................................63
4.4.6.2 .............................................72
4.4.6.3 ...........................................74
4.4.6.4 ......................................77
4.4.6.5 ,,,.....79
4.5 .........................................................80
4.5.1
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4.5.2
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4.6 .................................88

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78

4.4.6.5 , , , ,
Andrea Farnetani, Nicola Prodi, Roberto Pompoli

Plans of selected ancient theaters: a) Aspendos, b) Jerash, c) Taormina, d) Delphi, and

e)Segesta. 15


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86

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Izenour)
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87

4.6
Barry Blesser [8] An Analysis of the Aural Experience in Ancient
Spaces
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et al[21]

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et al[22]

et al[16]

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92-100 (94)

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5

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al[22], Declercq et al[23], Gade A.C et al [24]
et al[21]

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3500
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Shankland[14], Izenour[12], Farnetari et al[19]

[25], et al[26]
rat[18], Lisa M. et al[27], Farnetari et al[19], Gade
et al A.C[24]
, , rato[18], Gade A.C. et al[24,28], Farnetari[19] et al,
Canac[10]

89

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( Martin Lisa, Rindel,C.L.Christensen[28], F.Bisegna[7], M.Navvab[7],
T.Papadopoulos[6], A.Politis[6] , .[17,36], .[17,36]),
.

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94

. 20 Canac[25],
Izenour[2], Shanklad[5]
.
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([19],
Kang[19]
,
[16],[18]
[18],[16]
[29]

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Project ,
et.al[6], Bisegna et.al [7],Anders et.al[32]).

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( 20 )

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[18],[16],Shankland[5])
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[5])
Shankland
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([18],[16],
[18],[16], Shankland[5]).

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Blesser[8],Erato Project[29], [34],Lisa et.al[28])
95

. Shankland[5],
Canac[25], [16] et.al, et.al[36], zenour
[2]
,Declerq[30] , Dekeyser[30] .
(
). .
M (Blauert[9], Blesser[8], Canac[25])

. (
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.

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[15]

(
et.al[11],[20],
,
et.al [12], rato[29], et.al[14], Rindel[13], Sevillano
et.al[31])

.

( ),



.


, .

96

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100

101